SATURDAY MAY 22, 2021
11:05 AM (EDT)
Anne-Sophie Miclo
Doctoral candidate, Université du Québec à Montréal (UQAM)The Body as a Scaffold, the Back as a Canvas: Tim exhibited, Tim reified? (in French)
Wim Delvoye, Tim (2006-2008)
Tim Steiner sitting for Tim, Museum of the Old and New Art, Hobart
Photo: Courtesy Studio Wim Delvoye
Tim Steiner sitting for Tim, Museum of the Old and New Art, Hobart
Photo: Courtesy Studio Wim Delvoye
Anne-Sophie Miclo is an adjunct professor and doctoral candidate in art history at UQAM. Supported by the FRQSC, her doctoral research explores the impact of the living on museum practices. She is a student member of Figura, centre de recherche sur le texte et l’imaginaire as well as Groupe de recherche et de réflexion CIÉCO : Collections et impératif évènementiel/The Convulsive Collections. She is the author of several texts and exhibition catalogues about contemporary art practices. Her essay, titled “Three Variations on the Theme of Extinction: Looking Anew at the Art and Science of Mark Dion,” will soon come out in the volume Animals, Plants and Afterimages: The Art and Science of Representing Extinction, to be published by Berghahn Books in 2022.
http://cieco.umontreal.ca
http://figura.uqam.ca